the difficult crossing, Rene Magritte
all I can tell you is that all is not as it seems.
‘To let that which shows itself be heard in the very way it shows itself from itself,” but as both first and second order listening: one hears, and one hears oneself hearing. This piece accompanies a celebration of the emergence of this tangle.
Jorge Boehringer is an composer, artist, and researcher exploring layered processes from the microscape to the landscape, and how they interact with perceptual experience. Utilizing a protean platform for experimentation and presentation, Boehringer creates performances, recordings, music, installations, texts, three-dimensional objects, and visual phenomena. Boehringer’s work offers an experience of reality presented as a textural field. “Multiple systems of events, appearing and disappearing, and evolving at their own rates…”
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I am not sure why but I have posted this track in past ewe ears and I am doing it again.
mysterious characters named Custodian, Color Zoo Containers, who released this tape a long time ago:
I think they moved to Colorado.
BaconJam & AME present: an evening of experimental sounds from three internationally acclaimed musicians performing composed and improvised music. Doors £3.
Endless Overtones in Relational Space by Morgan Evans-Weiler
for violin & electronics
Unfinished Variations (for Jed Speare) by Morgan Evans-Weiler
for violin & electronics
Scott Mc Laughlin
cello & electronics
The Unsteady Disciple by Core of the Coalman (Jorge Boehringer)
for viola, percussion & electronics
Descent from the High Arches with the Bog Chorus by Jorge Boehringer
for woodblocks & electronics performed by Jorge Boehringer, Kathy Grey, Cassandra Miller and Eleanor Cully
This event will be held at Cafe Ollo, The Media Centre, Huddersfield.
thanks Cassandra for the amazing video footage!
Presenting an evening of lowercase and drone music. This concert brings together the work of emerging UK based composers and sound artists, and the American composer and filmmaker Phill Niblock. Comprised of two parts, this concert will first present reductive and drone compositions by Eleanor Cully, Phil Maguire and Jorge Boehringer before their performance of Niblock’s dense, loud dronescape Disseminate.
Eleanor Cully – for flute and viola with bells on
Phil Maguire – there will be no miracles here and TOO by Anne La Berge
Core of the Coalman (Jorge Boehringer) – Descent From The High Arches & The Bog Chorus
Phill Niblock – Disseminate
Performed by Cully, Maguire, Steinberg and Boehringer
Phil Maguire is a musician and sound artist. He makes reductive music with computers and recordings of things. In the past, he’s made pieces with field recordings and photographs.
Currently, he’s making pieces with sine tones, noise, and cheap computers. Phil has won 0 major prizes and performed at 1 major festival. In 2013 he founded the non-existent collective First American Textile & Abstract, with drone artist Marcel Gumms.
ALAN WILKINSON & PAUL HESSION (duo)
GUTTERSNIPE & HERB DIAMANTE (collaboration)
SWEAT TONGUE (Netherlands)
MIK QUANTIUS (Germany)
FCKN BSTRDS (Netherlands)
SECLUDED BRONTE (Adam Bohman and Richard Thomas)
CORE OF THE COALMAN & FRIENDS
plus more to be announced…
Limited early bird tickets £25 at http://totalinertia.co.uk/
An expressive barrage of apocalyptic folktales, bawdy misadventures, heartwrenchers and awe-inspiring guitar work from the UK’s best-loved avant balladeer.
Advance tickets via https://www.normanrecords.com/records/159610-ian-william-craig-gig-
Norman Records, your local hide-and-seek record store, presents an evening of spectacular droning sound from:
IAN WILLIAM CRAIG
One of Norman’s favourite artists, Ian William Craig is an operatically trained vocalist from Vancouver who uses tape loops the way a school-kid might a litmus test: reaching for success but infatuated with failure, his works break in and out of cycles, mutating to create immersive drone medleys as noisy as Belong’s but as humane as Grouper’s. He’s released two records with Sean McCan’s Recital label — the fragmented but songwritten A Turn of Breath and Cradle For The Wanting, which consisted of nothing but vocals fed through reel to reels — and he’s about to release another for FatCat’s classical imprint 130701. You shan’t want to miss this.
Baltimore’s sound performance artist Marlo De Lara produces textural compositions under the Marlo Eggplant moniker. These develop from microscopic tone landscapes into dense and expansive states of noise and drone. Her works aim to blur the definitions of (un)intentional sound and music. The many noises and tones of De Lara’s live performances are sourced from autoharps, contact mics, vocals and loops, amongst other tools. Her pieces have minimalist origin stories that can be breached through a knowing and often slow-burning approach to improvisation. She curates the excellent Ladyz In Noyz series while playing a myriad of ever-changing shows through Yorkshire and beyond. A Marlo Eggplant set is sure to both establish sounds and let them establish themselves.
CORE OF THE COALMAN
A sound man of both academic and recreational disciplines, he’s done all things drone upon his viola while also tinkering through harmonica and electronics. His noise is a treat and his large discography of cavernous sound makes for a good musical vitae.
So, it all looks pretty good. But see the official facebook page for all the details including what to do if you want to figure out where it really is and stuff: https://www.facebook.com/events/1836774143218674/
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